Made—like such a lot of hollywood war films of the time—to strengthen assist for the battle and tell the yankee public just what their tax dollars have been deciding to buy, air pressure bears the apparent hallmarks of propaganda: uncritical portrayal of the yank conflict system, testimonies of gallant sacrifice, dehumanization of the enemy that occasionally suggestions over into racism. What units air force aside and keeps it important is the way it keenly puts the viewer inside the area of a u. S. Airman, despite it being an almost totally studio-certain corporation.
As soon as inside the air, in preference to a rating we hear the constant hum of the flight, and the mundane, repetitive exchanges of the crew. Inside the confusion of the immediately aftermath of pearl harbor, there’s teamwork between island-hopping strangers, in rousing, irritating conflict sequences on land and within the air, within the usaf and marines together rebuilding damaged airplanes as all of the while jap forces approach. The factor for audiences at the time was supposed to be that the u. S. Forces worked as a properly-oiled unit, but the film’s message doubles as a touch upon man as a durable social animal, cooperating even within the most harsh of situations as a way to make certain survival of the tribe.